varoeldur and "Lime and Davenport"

oh, goodness, it's been so long since i've written, lovelies, i'm sorry. there's been so much going on!

i've just gotten the final cut of a video i costumed for a Sigur Ros contest, based on facebook and twitter votes. we worked on the song varoeldur.you can see it here: please vote for us and share with your friends!! you can vote once through your twitter and once through your facebook ;) as the director said, "Varoeldur strikes the note of a funeral dirge, but with a note of hopefulness. Here, we see a funeral procession in reverse, highlighting the longing for death to be unmade."

let me know what you think!

additionally, The Many Monsters of Sadness, which premiered at the Nashville Film Festival is also an official selection of the Cincinnati Film Festival and the Louisville Film Festival. i am so thrilled! if you're in the area, please stop by and say hi!

i also worked on a film by Paper Ghost Pictures called, "Lime and Davenport" for which i won best costume award due to the high number of changes and their accuracy. this film also won an audience award, best makeup, best in genre, and best actress. and you can see it here!



oh, i missed you! tell me what you are doing!

xoxox
mode.

Many Monsters of Sadness

Hello, lovelies! Fabulous news!


The Many Monsters of Sadness, a film for which i was costume designer, will have its world premiere April 19th at the Nashville Film Festival! the film will screen April 19th at 10pm and tickets go on sale TODAY!
to learn more about this rocking film and buy tickets, just scroll down to Many Monsters...http://prod1.agileticketing.net/WebSales/pages/VerboseEventList.aspx?alpha=m-o&epguid=1341c52d-cad0-4640-bb73-35d633e82f87&

or navigate through http://www.nashvillefilmfestival.org/

this is my hometown film festival and one of the oldest and most respected in the world- i am ecstatic! i hope you can attend. i know the start time is a bit late for some of you, and that's okay. just remember if you are going to come, get your tickets asap. it's the opening day of the festival and the world premiere of this fabulous film- it will almost certainly sell out.
Nashville Arts Magazine mentioned us, as well
http://viewer.zmags.com/publication/95eb89fc#/95eb89fc/12
we're fancy now. ;)


hope you can attend, or if not, spread the word. thanks! 


ps- oh, and here's the trailer....

Fashion Overdone

while i believe in the old adage, "there's no new thing under the sun," i pride myself on my creativity as a stylist. in fact, as a vintage enthusiast and a person trained in theatrical costuming, i make sure i never repeat concepts or be lazy by using things overdone.
influences are great, homages can be fabulous, but overdone is overdone. copying is lame. uncreative isn't worth anyone's time. so here is my rundown of the most overdone concepts, stances, shots, and ideas in fashion. yes, some of these have been done very well a time or two- but over and over just makes poseurs.
here's what i consider the worst of the overdone worst...

HAUTE IN A HOVEL 

a dilapidated house, abandoned church, or dicey grafittied wall and a model is inexplicably there in full on couture. she just happens to be there. these shoots are meant to set up dichotomies or comment on the eventual destruction of all things, but all i can say is puh-leeese. 

  


ALICE IN WONDERLAND
seriously. how many of these shoots have you seen? this one i at least understand a bit, because the subject matter is so fascinating and there are many characters, colors, settings, and attitudes in the story. however, over and over again, what we see in AIW shoots is really that the team wants to play with one or a combination of the following: madness, petticoats, blue stripes, large vs. small, or red and black. and at the core, the Wonderland is a place where anything is possible: why not take this single most important aspect and apply it to a new and different shoot? and, for the record, circus shoots are not far behind this.

Alice AND the hunch (see below) Gahh!

THE COUTURE HUNCH 
stop. just STOP.

RUNNING MASCARA 

either a crying model or one fully clothed in a shower or bath. she's deep. she's not just a pretty face. those tears are Real. REAL! and most of these are black and white, because that's Legitimate. didn't you know? Suffering is ART. and along the water route is famous.... 

 

& underwater! ugh...

UNDERWATER PHOTO SHOOT

there is a whole site devoted to this. Seriously. http://underwaterfashion.org yes, the light play is beautiful. yes, it's flowy and pretty. but for fashion's sake, can we move on?

AND the damn hunch again!

THE "HOMAGE" TO THE GREATS- MARILYN, JAYNE, MAE...
too numerous to pick illustory photos. and i know you don't really need them. no model is any of these ladies. they are all dead. let's let these them leave the party, shall we? not to mention the fact that part of why we remember these fabulous fashion icons is they were creative, different, and their own.

don't get me wrong- inspiration is fantastic and strong artists are open to it every minute of every day. but the most powerful influenced pieces, in my opinion, are those where you cannot see the jumping off place until it is pointed out to you. at the end of the day, creativity is what truly shows your art- whether you're a stylist, musician, model, designer, whatever. and frankly, if you're not being creative, what Are you doing?

holidays and dragon tattoo

happy holidays, everyone! i hope everyone is having a lovely holiday season- i have! back from holiday blog hiatus and excited for the new year.

one of the best parts of the holiday season was going to the movies with Andrea to see The Girl with the Dragon Tattoo. i'm a huge fan of the books and the Swedish film versions, and was very excited to see this film. for those unfamiliar, it's a Swedish book about a disgraced writer, Mikael, hired by a wealthy former business man to investigate the disappearance of his grand-niece 40 years earlier under the guise of writing the business man's memoirs. the title character refers to Lisbeth Salander, a hard edged hacker hired to assist Mikael.

there's been a lot of talk about the style of the man character, Lisbeth, because of her extreme hardcore, gothic look. while the costumer, Trish Summerville, did a fantastic job with Lisbeth for the most part, i find this type of costuming to be fairly easy. Lisbeth's palate is extraordinarily tight- worn. black. leather. metal. grey. pieces that say, "go away, leave me alone." this is not difficult styling, and Summerville took direction from the book, which describes Lisbeth in great detail, pretty well. though i found her overstyled at times- too put together. too stylish. too deliberate (holes in her clothes and wear in them in particular.).

i'm more interested in the style of the MEN in this film. the main males are Mikael, Vanger (the businessman), his nephew, and Bjurman (Lisbeth's case worker, also a rapist). mostly because the title of the book when transliterated from Swedish is "Men Who Hate Women." it is not Lisbeth, then, who is the title character, it is these men (and which of them actually hates women is up for discussion).
Summerville did something very interesting here. the wardrobe of the men is not all that varied- most wear suits, sweaters, and winter wear (the film is set in a harsh, Swedish winter) but texture, color, and fit are the indicators of their personalities.

Bjurman is the only man in the film who wears touchable fabrics. velvet. cords. his palate is in brown tones and rather understated. this subtly indicates that he desperately wants to be touched but knows he has to blend in to hide his impulses (he is a rapist and a detestable man). his clothes also fit to hide his size- his weight and large belly are not revealed until a pivotal moment.

cord blazer, knit tie

velvet

to the point- once revenge is taken upon him (which i won't spoil), he no longer wears touchable fabrics, though the color palate remains. a subtle indication that a change has taken place.

watch it, unlined jacket.

Vanger the elder, Henrik, is a representation of old Sweden and old masculine ways. a former businessman, still powerful, he is always either in a three piece suit or a large coat (with matching accessories, of course). his hair is combed and his clothing tailored. blue palate. note the subtle pattern matching (dotted tie and striped shirt). very chic and perfectly fitted.

old school style.

dapper and warm

Vanger's level of comfort is denoted by his tie. only at his home and after telling Mikael the story about his niece does he remove his tie. simple, classic, and well captured masculine style.

trust

his nephew, however, has the dark palate of menswear, much in contrast to his stark white, ultramodern, glass house. however, he's inherited the fit and tailoring from his uncle. he is the only man in the film who appears in all black. compared to his uncle, Martin is the new Sweden, the new look. no ties. high collars. sharp.

... sinister?

contrast

and then there's Mikael, played by the very dashing Daniel Craig. Mikael's character not only has to provide a foil to Lisbeth (his palate is light and new enough to do so), but has to stand out from the other men. that said, he is an everyman in this story- the connective character in the story (they all come into contact with him) so his wardrobe contains aspects of the other men. he wears black, blue, and brown, but is the only character who wears quite a bit of grey. the other men also don't wear blue jeans. this sets him up as stylish, young, but also professional and seasoned. since he's been discredited, his dress has a bit of unkemptness- untucked shirts. uneven sleeve rolls, etc.

well dressed, but casual

3 piece - untucked

grey coat

grey blue, fitted jeans

and he is, yes, oh, so handsome!

i very much enjoyed this film. not only was it a great story, it looks fabulous. men's fashion is often looked over in films, but should you see this film, keep an eye out for Summerville's styling. excellent juxtapositions of characters and thoughtful choices. she did a fantastic job.

and everyone have a safe and happy new year!

Best Part Productions - FEAR NO ART

Best Part Productions is a Nashville based production company started by Chad and Trey McClarnon, and includes various collaborations with writers, producers, H/MUA, actors, editors, musicians, engineers, and yours truly as wardrobe/costumer/stylist. Chad, Trey, and I have worked together on several projects since knowing each other, including the short film "without."

 

(Official Trailer for "without" - a Chad McClarnon Short Film from Chad McClarnon on Vimeo.)

This film was originally part of the Nashville 48 hour Film Festival (during which teams write, shoot, edit, score, and fully create an entire short film in just 48 hours and compete to win various prices.). "without" won a prize for art direction, which includes my work as the costumer for the film! it was very exciting. further, i am actually in the film (and you can see me in the trailer) and was one of the writers.  Best Part also produced another short film called "A New Life," about a young, newly married couple, which includes my sweet bunny's work as a musician and engineer.

These films were made with the tireless dedication and immense talent of an incredible group of people who are dedicated to these films and to sharing our art with the world. We've dedicated our time and resources to pieces we believe in deeply- and with which we have something to say. Consequently, are currently running a kickstarter to fund submission fees for film festivals, which you can find here- http://www.kickstarter.com/projects/1185022472/a-new-life-and-without-film-festival-run

I hope you'll be able to participate in our kickstarter, either by pledging or sharing this link with your networks. Your help is greatly appreciated!!

Rae Hering's Ladies Night featuring m.florita jewelry!

http://www.raehering.com

http://www.mfloritajewelry.com

Lovies, I am so excited about this! Friday, September 16th, I will be attending a Ladies Only cocktail hour featuring Rae Hering and m.florita jewelry!  This exclusive event is happening at the historic Wellington Arms building in West Meade. It will feature an intimate performance by Rae and a showcase of m.florita's baubles, as well as founder Marrah speaking about her designs and the customization options for her jewelry and ornaments. And it's being sponsored by Village Wines!

You may remember Rae from this post where I styled a shoot for her, and she also provided the music to the 48 hour film project film on which I worked. She's a fantastic, cabaret inspired singer/songwriter. She even plays the accordion! Her record, Reality Over My Head, is available now and will be at the performance, as well.

 You may remember m. florita jewelry from my brother's wedding (she designed the bridesmaid's jewelry and was a fellow bridesmaid) and from my RAW showcase, where several of my models wore her gorgeous designs. If you will be in town and are free, email me at mode@cicileyhoffman.com and let me know you'd like to come and get all the details or RSVP here. All of your lovely lady friends are welcome, too! If you're a gent about time, feel free to send your better half ;)
This event is the first of an exclusive, grassroots series, so stay tuned for more.

Hope to see you there! And don't forget to dress to impress....

Vintage Nashville Article

wondering how vintage your fave boutique pieces are? check out my article at the Examiner for some tips on how to tell!

captain america & the nashville film festival

save the day!

very exciting news!
most of you probably recall the intro to this story, but i'll give you the short version just in case...

i have several times had the pleasure of working with the amazing photographer/ cinematographer/ director Chad McClarnon and filmaker/ writer/ painter motke dapp. the two of them were working on a short film called The Once Mighty and at the last minute, requested a full on Captain America costume from me. in a pinch. i had only six days to construct it- including buying fabric- from scratch. i mean the tights, shorts, shirt (which is a torso piece, two sleeves, stomach piece, and star) a hood/mask (with A and wings), gloves, and boots.

think, pooh bear... midconstruction

the fabric had to be dyed, and my first try failed. on top of that, the film was being shot out of town, so i never actually measured the actor. this is always an issue, because if you tell me your waist is a 32 but you wear a 36/36 pant, something is Wrong. i usually insist on measuring myself, but i took on this challenge, partially due to a bribe of an OG lite brite from Chad. i think i made the best costume i could considering the constraints and was proud that i made it in time. i posted a picture of the costume here.

here's the trailer for the film... the costume you see there is not the one i made.

fast forward to this week- the nashville film festival will be showing The Once Mighty !! i'm so thrilled and honored to be a part of it, though my contribution was small and fast. motke and Chad are so talented, i'm absolutely beaming for them. Green Hills Cinema at 10am on Sunday April 17th! be there if you're in town- i know i will be!

yay!